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The issue-😔😀🤢 o@😔.f War# 😷widow represen`🥰😑🤪tation 😪🤢in Israeli ci(😐nema i/s one of the most c#omp🤒😙le😊😒x for:😂 the l 🤨
o;:cal
🤐industry for 😆😑**😜i🤥t 😔$🤕_see😊\😒m%s to be unique a%😙nd🤔 with a 😏ve😛ry local and specific i😁🤪conogr
:`aphy.　　The🙂 🤑🤒😃 war Widow`🤒 i$🤮s😶🤭🤣 a😴% difficult c😗🤩[harac😁_🤨#ter to digest. Becau😑😃s(-🤮e this is@: 😊$🤑+an es😘-\pecially pa😜🤮#🤫in😚😶ful😷 topic in 🙂🤪Israe: l, its mode of re😷😝🤗_;presen😶😙ta🤭🤪ti((.on i%😷s 😊😍🤑🥰alm😗🤭🤢ost alway🤥s p$🤪😪🤐roblematic.　　Gila Al(😏😄🤑mag😜.o@😇r in Tofa😪!no'😁s sieg🤗😏😝😃e 😘is one of the first characters of the modern war😙😃 widows🤒 to appear on Israel😝🥰😇i cinem😃@a scr?😏/ee😆🤣ns.[🤐🤢🙃　　The human a😶!😴😝nd social comp😃😪🥰lexity of 😛🤔_th^e?
😀; s😛tatus of widows was no🙂😆😌t 😐/re🥰p😒res😴🤮ent)😃/😉🤐ed adequat😚ely😶🤭 😅 an🙃😛d .😊;🙄-perso😁😜🤪😒nally:/ 😇(until her comple🤐🤪$\😚x and fi😘!🤩😜ne ap🤣-p😶earan😚🤤😚/ce in😀😋😘 thi🙄+🥰🤪😪s film.　　It? was most😪*ly Pre-c😇.:😐eded by cliches of heroic wo)😏😙me😀😶😗n who😍 ha*😇ve s😐_😪ac😉rificed for the nation 🤮- wi😆)🙄t😑#🤨`h cha^+[🤤racters t*😇o wh😊🤭😄ich it wa😔🙃🤭s very 🥰😁?😋@diffic😀😑😙🤤ult to get attached, nor to their perso😃#🙄😆😇nal g 😴rief.　😇 @😄　Sie😏 ge🤔%😂 was dire🤐😑cte_*d %😉🤭😒by an unknown Italian direc(😜t🤗or😔` 😗🤢😬of th😪🤢#🙃🤣a^😷 😉t period. Although@🤭[😙😉 Gi😒😬🙂]😌lberto Tofano was brought as a professi🤪😂😔🤪onal😊😅 director on th😊e w😐🙄😉🥰ings😀🤥😜 o🤭😙🤒f in😜😊 😛spir:😐at🤨,$#🤭ion made b😶 😇y the French New Wave of tho🤪😪se ye🤥+😐ars, he manage🙄+d t😷?@o 😒?😆tur^n 😍🤕^ out a😚\😅+ very`😐😍 excitin@🤐g w]😋ork which has caught the😗🤗 Israe li w🤤^😶armt😬_ h 🤢and sense\ of social s😁;ieg😌!$e w🤩🤑🤫🤔hich su,` 😪rrounds 😏🤩the Israeli!.* w idows, 😊%includ😁ing the gre😏😋at 🤣😬?😆😉exp^🤥🤥🤗ectations%😋🤨 from th`🤔😋😀em and t*😗h @🤑e soc%😗🙄😬ial 😂stigmas.　　😊😗Tofano wrapp🤪ed 😴!his leading lady
w😐i😍🤔th lo😴-!ts o😁😄;f war`😅mth 😊🤑/🤔and gave a pl_ 🥰😂^ace-🙂 of h😝)on😴^or to Almagor'+)😜😌s impress🤨

/ive 😜😴prese😘🤣😃nce 😘in😝🙂😏🤗 the# 🤔🥰,film.　　T😬😏 his \😜😍i🤫%😘,s wit$🤔hout🤤 a d!;(oubt o (ne o🤑f Al😚🤩_;magor's be#😄^st and most ac]😷
\😗cu🤑😚😑)rate performances😀😙😄😒😁. Th😚,e @`restrain😝😉`*t in her performa`😄🤥)nce 🤢😪🤨plus \😉the sho#🤨 o🤭#-😀😏t#😛ing an🤐😔d expres sive use of 🤑😚🤢🤤angles by 😄😷Tofano a😷=`nd his soft😔🤩@ /Eu😶/rope.🤭a=n to😊🤔)uc🤨😛h whic]!h was 😊🤤@far 😑🤐
🤒😀off f😋😬🙃🤨ro😙-😘😐m th🤭$🤪e aggressiv🙃\😂e l 😔😘o?`😂🤨cal produc(🙄t man🙄🤥aged\😏 t[
😅o.😂( 🙂]p😑[😆😛🤨roduce 😂😙a sense of😇^🤮 do😚😶😛
cum:🙃😐e,;nting an authe🤣`nt(😋!ic😂😚_ tragedy with a #😒tangib]😋,le 🙄😘personal touc
🤒🤮😔h that minimiz🤣e++d the national dimens🤭🙂🥰_io🤨:n. The🙄😪( result stan(:ds the test 😆😜😄😄o!😝😷😅f t(ime proudly(😂[😷 several decad
🤮es after its creat😂😷i🤣😗😐# on.