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Two diffe😶+😆rences be🤑🤥!
twee 🤒😗n this 😑🥰🤣🤥Au(🤐strian 😜 versi🤩 on and 😇the ge😐😏🥰nerall
y availa😐😜_bl😛;e American 🤑versio😴🤕n are🤤🙃 immedi😜🤥`🤨at^😍,ely o🤗🤭b
-🙂🤪vio😐😝us they differ both in t😴😉😗heir l!😔 /ength and !😘in the language of the inte,+:rtit🙂😔:😊les. The Am
` erican version i🤫_s only 😶(😒\ 1🤔 .%😪,883 metres l😑🤤o`@`😛ng - at😘😙; 18 fra😜🤭!🤪mes per se🤒😛cond a difference of some 7 minut😇😬🙄e(
😀s t😶?
+🤒o t😇😆😇😷he Aust😙😋rian ve🤢]
😇r🤤😗sion with 2,04-🤒5-^😁 metres. Where🤕😃as we origi😌🤩nally😅= 🤩presume🤪😗d only 😅 a neg😃😊li 🙄gibl
/e differ🤐😴-ence, re;sultin😍😒g fro😶🤥_+m th😍e varying length of the int!🤭er😚tit😌😔l😴🤕😛😘]es, a dir,^ect 🥰😌🤢com:;pari
$son has neverth:eless shown that🤐$🤒 t🤗@h🤑😝`😙e Au`stria*)-n version .(😘dif😛.^f:^e😉 😐r😑s fro🤑🤩😃m the Amer.ican version bo🤕.th in the montage and😋🤔 ^🤢=in the 🤗😇😀duratio😴n /of individual scenes. Yet how could it h😏🤥]a😴ppen🤭🤤]/ that the la🤒😗😏ter\😊😴😚 regi😇[ona😒🤫😝😃l di😷😌str🙃😀ibution of a😪$ c😜😑a😷🤕🤔nonic^*al US s🤩😗🙄ilent film wa;😍s longer than 🤤😔;the o^🤐😶!riginal version　　The 😪🤐prevalent A😔\:%merica😴\n ]🤕🤐🤫v😔😂ersi+@on 🤢#🤕of B🙂l
i (😜😜nd H🤕🤒;usbands does🤢🤤 no=😉🙂`😄t co😄!rres
😜😐pond to th:😀 e version shown at 🤒,th😋e premiere of 1919. ::This li🤐-ttl🤥😑🤣😷😛e-k😝😆🤑😚
nown 😛 fac😑🤩😗t was a🤑=😍lrea😄😒)dy😛🤮😷🤒😷 pub🙄😴lished by Ri*,🤮c🙃hard`😇 Koszar-`😚ski in?*🤢🤐 1983. T🤨😇🤩he😗😚 );[😁film was🤑 r😊e-released\😏🙂🙄 b😘 🤩y Un🤕🤭😆[🤢iv😃 😌er
😘sal Picture🙂😅🤫?*s in 1;🤨🙄-9😇+24, !😃
;in a version😘 th/😙😋a🤥😷t🤣🤮 was 1,36? 5 feet 😙(416 metres) s
😬;hor😪😔🙃🤪ter. At 😐😍18😂🤨(= fr😅😀a🤢 mes per se🥰%cond, this a🤪\🤔mounts to a !😔t😉😗😁😌i 😜😏🙃#m🙃🤤e😑#😃 difference o😆;f 20 min:😉#utes!😚, Tit😏 le😋🤐s wer😃
😆`e al😔#tere:😜😋-d, snippe😝😊ts?😜😐?😙 of🤩 action removed and 🤔#at🤣🙃 least on😐😴e m😏😪😐a)+@jor scene taken out e$😑n[🤒t*🤤ire😶😆ly,😐\😶 where[? 🤢^von S@😊te
😃uben an🤕d $(M)🤢😊 arg:😛🤨a🤔🤥ret visit a small l😚/+😔😋ocal* chap[😒😀e😅 l%🤒😷😔.😅🤥) (K_o😘😘😌sz🤒arski🤩😷)　　From 😐$😐😝=the present st(😷a😶
te of resea+r [.ch we can assume😀🤐 th😃😬🤕😴🤔at all th)#🤩e known American co😇🤩pi🤥😚es of t😝🙃😌he film d😘;erive 😴😏f😷ro@🤣 😀m this shortened😄😝 🤤😶🤥🤕😗re-🤣!😂\r.😷e]😍-lease version, a(🤢🙃 copy of which😉😉+ Univ@😀ersal d;😉🤩onated to😬😚 th😐🤢🤥😁e 😗😬🤕😚Museu$-=m😔🤐 of Modern!! Art🤕# in 1941@-🤫🤫. According 😄🙃to Kosza😉/rski the origina.😆l neg😛ative of th
e 😋_🤥film 😃😚_w🤪:😚😆as destroye😉d sometime b😛😆\😀e🤗 tween 1956 and 1961 and has t🤐herefor🥰e :😇been irretrieva😃🤫,bly l😏ost.@:=😛😋 Th🤔is 🤗_😑🤫informati😏🤭[[on cas😂ts an interes🤑😊t%?i🥰😇🤗ng 😒#li😋,ght on😪]😔 the A😑-🤕ustrian ,😀`ver🤣]sion🤨😝]🤑,😑-😉^ whic😝🙄h c.😃!an b.?e dated to the period be😶twe🤩=_en the su🙃mm😋e r of 1921 and🤒🤥 th🤪🥰;😐*e winter🤭,` of 1922. F`😑urther_🤣😃;more, the copy is some 2%/.00 metres longer .😅 than the 😗🤮🤥US ver😪sion🤒😶 of 1924. I]😘f 🤤!+😶😬one$=😙
follows the details 🤪! gi@(ven*🤕] b]🤢😂😘%y Richard🤤*🤤 Koszars😉😗🤨ki and Arthur Lenn!#ig, this means 🤗🤪😛😗🤪that, ^as far/😅= 😙)as both it😂😛s date and its length 🤕😶$are conc\🤥😬erned, the 🤢😇😑Aust🙄ri😬\an version lies almost exactly 🤮😪in the midd🤢🤪😃le betw🤒:😙een 🤮🙂the[🤩 (🤔:😶😌lost*😗😶) versi😙🤒o😊🤗😊[😁n s😙🤐]hown at th!e premi🤐😃🤫e🤐😬😃🤭re and the !😂😅r
e-released one.A large part of 😘😀th🤕_e ad🤫ditio😆😏nal 😚🤤😷len/🤒;gth of the😔 f😗😑😐ilm-😝
ca😛😛n😗 be traced to cu🤗🤥ts th🤥at were made [to t😃.😬he ^`1924 vers[🙂,?io)🤨n in 😬😏😄alm, ost 😁😚🤭eve!😛-ry shot. Koszarski d(,😆esc=😁🥰😃ribe😙+😔😔s how the😁*😙 b😃(😬🤥eg +🙃inni\ng/😙 and 🥰the end of sce😆nes w 😶ere 🤑😑😝😍trimmed, in or🤤[🤨🤨d[@
er to🤑😬 sp😏🤢😪🙄🤣eed u[😄p th😝e film🤒\.😬🤩# How😁🤫=ever, mor-🤑/😐]e excitin %@g 🤑 wa 🤮😔😋s th:🙄e discovery that /😌😙🤩the A🙄🤭ustr😪!ian v🤐^🤔ers]🤢ion contains shots that a#😀re mis=😄😗s\/`ing😑😇🤔\ in the American one ,🙄- sho🙂tscounters: 🤥😚hots, intertitles - and fur😇?🙃😛thermor🤑🤪e shows%😉🤪@, di-=ffere(😉🤢nces in)🤩😴` its montage (i.e. th🤢/😒e🤣🤥😛 placing o😇😉[f the ind.😐ivid😌$ual shots wi
🙄😅t🤒😋h😂[_🤔in a 😔[😄sequence). 😀😉😆All this ind🤭icat😐,_🙃es that D😌😛😒/ie🤐? Rache de]🤮😝r🤪🤥🤒 Berge constitutes th😌😚🙃😏e olde?😜st 😚😏😌and most comp😀😌l🤣_etely pr😁eserved materia😙,.😛l o😬😴f % the film.