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Ba(😛-sed 😒$🤒`😂on a🤪🤪😜😃n😴🤑😊😝😚 unknown Sc😀😋hönberg op_🤤🤣😶era from 😑😚😙😊😴1929,/@ \-
]F😚-🤥rom 🤑To$,d😂ay Until T\😊omorrow explore😊`🤣;s one n ig😘ht in a not-😶 😜😄quite lo😌😀!🤒ve#(/😘le 😛😒ss marriage. A h🤥us@🙃 _🤨band and🥰#` 🤮^=😚wife return from😐😴 a !!par😉ty wh🤫*[ere she has flirted with\=- 😚😶an😂😶🤥o🤑[ther😋🤗) man, while he ha🥰@s c🤐🤨😍🤭ast an _😄🤑a_ppraising ey
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🤭e😏🤔😅😉 to🤑$😆w😷!ard an=😆 attractive, fashionably dres😌😷🥰sed acquaint🤪🤢🙃an🤥😔😄ce of his wife’🤗 😌s😜. Though each dreams, br😁!ief_ 🤑l😃😍😌[y, of leavi😚😇ng th?🤐e m=😌😋🤤ar🤐😬🥰riag🤒)e for t=🤔@he excitement an😜🤮d;😘 my_,stery of😶🥰: a 😂
n🤫 e🤮)w lov😚😍er, in the end+ they decide stab*?`il😚😁\ity and comfor🥰🤕🙃t are` 🤣 more import@😝😬a😋😗nt t_😌😇h😴 🤥an.😛 t _🤭he flee😙😃ting thrill 😊😝of new %😇🤫🤣+r!]%😂omance. Directors _😀😌😉Jean-Marie 🤒Straub and Daniè😄le Hu 😋il(.🤔le😘😙t, w /😘!ho p🤑[!reviou😊!sly coll^*aborated o%😀🙂n 😀;two🤭😘` other films abou🙄:t(😀 music😐 (The😐^ Chronicl😂e of🤐🤨🙃😪 Ann🤩a Ma😉`/gdalena🥰🙂\ Bach, 1968,😉😜_🤒 and Moses an,😜🥰d /😚$😄Aaron$[$🥰,:😄🤥 1975)!😝;_, rely on@😀 lo🙃😙]😬ng f😍😆🤤ixe😏d shots in austere black-and-😂white 🤐🤨so th😃 😂at/,😍😅 the f🤮o😅]()cus remains on😷 the😇😴 mu.😃sical bril:/😴liance of Schönberg’s atonal score, p😔😋erforme)d😇😜🤗 🤢😷$her😚😐[e 😴
😋by -^70 mu😄(😄sici🤤ans🤔😋+😂. That Schö🥰.🤕nberg$😃😌🤐 wou😙😁😬ld🤕=!😅😀 choose s😐🤒😘)uc😋h a 🤭relativ* ely😂🥰 lig#*hthearte😋🤔🥰d message,😛[ f]😀🤥\or 😌😪h^😋is newly d🙃😐🙂iscovered musical lan😪😅^🙄guage r😅🤭 😃emains a myst🤢er
/y, especially sin_🤤ce (the concl::😗usio #🙂#n) reached by 🤤😏😌the hu🤐#)sband and wife—to s-tick with the tried a😇*n=d true[—s[😌eems directl?y at odds with Sc😜😬@h🙃önbe)🤭`🥰rg’s ow?🙃🤩n 😶😊 😷p😋😛😜😗hil😑🤕osophy,$!🙂 of?+🤮🤪 c\
😘😶omposing. I^/t🙂😔. is just @🤗\this juxt😏_apo ;sition, howeve🥰 🤩:😋r,🤤$😋 coupled wi😑🥰😁th😋 St🤐%🙃😶raub and🤭😊 Huillet’s fai🤕$-th😍😛🤪ful pr-🤤😙 😅esent🙃😘$😶at(,😌ion, that makes the .!$🤐opera🤪😜😁 😔🤮a?:🤩 comp🤐😝ell😆🤒ing 🤕$ %addit😛😐🤨io``*n to the!😊🤮 Schö.nberg canon—and the🤤🤒 film 🤥🤩s+uch a challe,#nging[🤮🤨 and$😐😛 i😂ntrig[😊^uing e😒
🤣xperience.